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Trismegistos 60320 = LDAB 1441 = duke.apis.32054078



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Canonical URI: http://papyri.info/dclp/60320

DCLP/LDAB Data [xml]

Title Homer; Odyssey 11.210-229
Work Homerus, Odyssea 11.210-229
Principal Edition 68813. Isabella Andorlini and John Lundon, "Frammenti di Omero, Odissea XI 210-29 (PDuk inv. 60 + PPisaLit 23).," ZPE, 133 (2000), pp. 1-6. 1-6
catalogue 95463. Martin L. West, Homerus Odyssea, (Berlin/Boston 2017). 223
Partial Edition
  • - 49269. Antonio Carlini, Su tre papiri omerici.. 486-487
  • - 9074. Antonio Carlini, Papiri letterari greci., (Pisa 1978). 23
Catalog(s) MP3 01096.100
Fragments Durham (NC), Duke University P. 60 Recto; Florence, Biblioteca Medicea Laurenziana PL III 961
Support Material papyrus
Support Dimensions 6.4cm wide x 5.7cm high
Date I v.Chr. - I
More from the period between 100 BCE and 100 CE
Origin Fundort: Egypt; Schreibort: Egypt
More from Fundort: Egypt; Schreibort: Egypt
Form and Layout papyrus roll (columns: 1, pagination: 0)
Genre poetry; epic
Culture literature
Religion classical
General Notes The dimensions given are for col. I, which has a bottom margin of 2.9 cm. The second fragment, col. II, has a width of 2.2 cm and a height of 8.4 cm. The Duke fragment was purchased in 1970 from a European dealer, the BML fragment was purchased in 1971 from Maurice Nahman in Cairo.
Images scriptorium.lib.duke.edu/.../60
Print Illustrations A.Carlini, Zetesis De Strijcker, pl.I; A.Carlini, Papiri Letterari Greci pl.IX; ZPE 133 (2000), p.3
Availability © Digital Corpus of Literary Papyri. This work is licensed under a Creative Commons Attribution 3.0 License .

Trismegistos: 60320 [source]

Publications Zetesis De Strijcker p. 486-487 (1973) = P. Pisa Lit. 23 (1978) = ZPE 133 (2000), p. 1-6 (2000)
Inv. no. Durham (NC), Duke University P. 60; Florence, Biblioteca Medicea Laurenziana PL III 961
Date BC 99 - AD 99
Language Greek
Provenance Egypt[found & written]

Catalog Record: duke.apis.32054078 [xml]

Title Odyssey 11, 210-214 [not before 1]
Author Homer
Summary Literary text from Egypt, written on papyrus. Contains verse 210-214 from Book 11 of Homer's Odyssey. Variant reading in line 211
Citations
Inv. Id P.Duk.inv. 60
Support/Dimensions 1 item : papyrus, mounted in glass, very incomplete ; 6 x 7 cm
Language In Greek
Date 1 CE – 199 CE
More from the period between 1 CE and 199 CE
Note (general) Actual dimensions of item are 5.7 x 6.4 cm
Note (general) 5 lines
Note (general) Written along the fibers on the recto
Note (general) Lower margin of 2.5 cm
Note (general) P.Duk.inv. 60 was formerly P.Duk.inv. G 60
Subjects Literary papyri Egypt 30 B.C.-640 A.D; Papyri
Images thumbnail
Images 72dpi
Images 150dpi
License Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 License.

DCLP transcription: 60320 [xml]

fragment 1
-- -- -- -- -- -- -- -- -- --
1[μῆτερ ἐμή, τί νύ μʼ οὐ μίμνεις] ἑλέει̣ν μεμ̣[αῶτα,]
[⁦ -ca.?- ⁩]μ̣οις περὶ χεῖρε βαλό̣[ντε]
[ἀμφοτέρω κρυεροῖο τε]ταρπώμεσθα γόοιο̣;
[ἦ τί μοι εἴδωλον τόδʼ ἀγ]αυὴ Περσεφόνεια
5[ὤτρυνʼ, ὄφρʼ ἔτι μᾶλλον] ὀδυρόμενος στεναχί̣[ζω;] fragment 2
ὣς ἐ̣[φάμην, ἡ δʼ αὐτίκʼ ἀμείβετο πότνια μήτηρ·]
ὤ{ι} μο̣[ι, τέκνον ἐμόν, περὶ πάντων κάμμορε φωτῶν,]
οὔ τί σ̣[ε Φερσεφόνεια Διὸς θυγάτηρ ἀπαφίσκει,]
ἀλλʼ α̣[ὕτη δίκη ἐστὶ βροτῶν, ὅτε τίς κε θάνῃσιν·]
5οὐ γὰ[ρ ἔτι σάρκας τε καὶ ὀστέα ἶνες ἔχουσιν,]
ἀλλὰ [τὰ μέν τε πυρὸς κρατερὸν μένος αἰθομένοιο]
δαμν̣[ᾷ, ἐπεί κε πρῶτα λίπῃ λεύκʼ ὀστέα θυμός,]
ψυχὴ [δ’ ἠύτ’ ὄνειρος ἀποπταμένη πεπότηται.]
ἀλλὰ [φόωσδε τάχιστα λιλαίεο· ταῦτα δὲ πάντα]
10ἴσθ’ ἵν̣[α καὶ μετόπισθε τεῇ εἴπῃσθα γυναικί.]
——
νῶι μ̣[ὲν ὣς ἐπέεσσιν ἀμειβόμεθ’, αἱ δὲ γυναῖκες]
ἤλυθ[ον, ὤτρυνεν γὰρ ἀγαυὴ Περσεφόνεια,]
ὅσσα[ι ἀριστήων ἄλοχοι ἔσαν ἠδὲ θύγατρες.]
αἱ δ’ ἀμ̣[φ’ αἷμα κελαινὸν ἀολλέες ἠγερέθοντο,]
15[α]ὐ̣τ̣α̣ρ̣ [ἐγὼ βούλευον ὅπως ἐρέοιμι ἑκάστην.]
-- -- -- -- -- -- -- -- -- --

Editorial History; All History; (detailed)

Creative Commons License © Duke Databank of Documentary Papyri. This work is licensed under a Creative Commons Attribution 3.0 License.

Notes

  • 2.

    Whatever the reading was in the first part of the line is unknown to the rest of the tradition.